Louder than silence. This ERD zip-up hoodie in black leads with a high-contrast figure print on the front — a grainy, almost photographic image that feels pulled from a concert archive or an underground zine. Script text runs alongside it, setting the tone before...

A portrait, a provocation, a paragraph. This ERD zip-up hoodie opens with the brand's gothic logo in red across the front — "ЭRD" rendered in heavy type — alongside a stark white figure silhouette that feels like something lifted from a history book or...

No graphics. No noise. Just weight and color. This ERD zip-up hoodie in deep brick red leads with restraint — a tonal logo text on the left chest, barely visible against the garment-dyed surface, and nothing on the back but clean seams and a...

Blue like something bleached by the sun and rinsed by the rain. This ERD zip-up hoodie in sky blue carries a soft, cloud-like tie-dye wash — pale at the center, deepening at the edges, with a natural uneven pattern that makes each piece its...

Black that's been through something. This ERD zip-up hoodie in washed black carries a faded, slightly uneven surface — the kind of depth that comes from a garment wash rather than a dye job. It doesn't look new. That's the point. The front bears...

Named for the most dangerous writer in history. This ERD zip-up in washed black takes its reference from the Marquis de Sade — the word SADE printed across the front in rose-red serif capitals, beneath the subtitle Les crimes de l’amour. Below that, a...

Cold war. Cold color. Cold archive. This ERD zip-up in washed purple pulls its reference from the frozen edge of history — text reading THROUGH THE SOVIET ARCTIC printed across the front alongside a monochrome figure, styled like a frame from a forgotten documentary...

Same expedition. Different colorway. This is the washed black version of the ERD Soviet Arctic hoodie — the same archival imagery and cold-weather text across the front, now printed in stark white on deep washed black. The contrast is sharper. The mood is darker....

East meets West, and neither one wins. This ERD zip-up in washed black opens with Cyrillic lettering — РОССИЯ — rendered in gothic script across the front, beside a monochrome figure collage and the small-type credit Yalikassan Choir. The reference is archival: part Cold...

This one looks like it was pulled off a wall. The front of this ERD zip-up carries a large white panel print — a blurred, close-cropped face or mask at the top, and below it a dense block of white body text styled like...

In 1960, Gustav Metzger published his manifesto for Auto-Destructive Art — art that destroys itself, that makes its own decay the subject. ERD read it. This is the result. The hoodie arrives in a washed orange that burns: vivid at the seams, bleached at...

The front opens with script. Haticire pour Givmes — in cursive white lettering, the kind that belongs on a funeral announcement or a love letter that ends badly. Below it, a portrait: a woman in dramatic monochrome, framed inside a tight black rectangle, bisected...

The front reads: 甘美なるアリスの降伏. The beautiful surrender of Alice. The image below it is close, charged, and deliberately ambiguous — two figures, hands visible, the kind of moment that doesn’t need context to land. The zip runs straight through it. The back is structured...

Two panels on the front, arranged like manga frames. Upper: a single Japanese character — loaded, ambiguous — beside a figure in profile, cropped at the jaw. Lower: two shaved-head figures side by side, faces close, the kind of composition that implies a relationship...

The front says everything and gives nothing away. Vertical Japanese type down the left chest: 我が秘密の生涯 — My Secret Life. A red stamp seal beneath it, the kind that authenticates a document or closes a letter. The rest of the front is clean black....

This one makes no attempt at subtlety. The front announces the brand in full: ENFANTS / RICH / E & / DÉPRIMÉS — stacked vertically beside two image panels showing extreme-sport action sequences in high-contrast black and white. Bodies in motion. Gravity present. The...

This one makes no attempt at subtlety. The front announces the brand in full: ENFANTS / RICH / E & / DÉPRIMÉS — stacked vertically beside two image panels showing extreme-sport action sequences in high-contrast black and white. Bodies in motion. Gravity present. The...

The front carries a martyr. A seated figure in high-contrast white — long-haired, still, rendered in the kind of grainy overexposed print that looks like a photograph pulled from a fire. A "V" marks the left side. The sleeves carry fragmented image panels on...

Clean black. No wash, no distress, no fade. The front chest carries a single small panel: a blue-outlined box, an "erd." tag, and one line-drawn figure mid-motion — falling, or jumping, or both. That’s the whole front. Restraint as a design decision. The back...

The front panel is an icon. A woman, hands pressed together in prayer, head tilted, expression somewhere between rapture and anguish. The image is large, square, high-contrast — black ground, white figure, the kind of reproduction quality that makes it look recovered rather than...